Music May 12, 2017

Craig Morgan Greer (born July 17, 1964), known professionally as Craig Morgan, is an American country music artist. A veteran of the United States Army as a forward observer…More on wiki




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May 11th is National “Eat What You Want” Day !


On this day:

1880 – Seven people are killed in the Mussel Slough Tragedy, a gun battle in California.
The Mussel Slough Tragedy was a dispute over land titles between settlers and the Southern Pacific Railroad (SP) that took place on May 11, 1880, on a farm located 5.6 miles (9 km) northwest of Hanford, California, in the central San Joaquin Valley, leaving seven people dead. Frank Norris’ 1901 novel, The Octopus: A Story of California, was inspired by this incident, as was W. C. Morrow’s 1882 novel Blood-Money. May Merrill Miller’s novel, First the Blade, includes a fictionalized account of the conflict. The exact history of the incident has been the source of some disagreement, largely because popular anti-railroad sentiment in the 1880s made the incident to be a clear example of corrupt and cold-blooded corporate greed. Muckraking journalists and anti-railroad activists glorified the settlers and used the events as evidence and justification for their anti-corporate crusades.[2] The site of the episode is now registered as California Historical Landmark #245.[1] A historical marker on the east side of 14th Avenue, 350 yards (320 m) north of Elder Avenue, memorializes the site.[3]

The region known in the late 19th century as the Mussel Slough country was mostly in what was then Tulare County, California, with a small portion in what was then Fresno County (later the entire area became part of Kings County after the latter was formed in 1893). The Mussel Slough country took its name from a slough which went from the Kings River to Tulare Lake. This area had remained unsettled as it was a broad, dry plain suitable only for cattle ranching. However, in 1866 Congress authorized the railroad companies to build a line through the area, and created numbered lots of one square mile (or 640 acres (3 km2)) each. The Southern Pacific Railroad (SP) received the odd-numbered sections of land, totaling about 25,000 acres (101 km2) worth. The even-numbered sections were given to homesteaders by the government and were not subject to the events which followed.[4] Given SP’s history of encouraging settlement and development along its lines, land prices were expected to appreciate considerably.[5]

Settlers, who had spent a great deal of money and time in building their houses and farms, had begun to file for homesteads in the area on the railroad lands starting in 1869, in anticipation of the completion of the line. In 1872, the Central Pacific Railroad completed work to Goshen from the north and the Southern Pacific was to construct the southern portion (although not generally known by the public at the time, the two railroad systems were owned and operated by the same people although they were technically separate corporations[6]). The SP’s brochures had stated the price of the land would be “$2.50 per acre and upwards”,[7] leading many people to mistakenly believe that $2.50/acre was a set price. Furthermore, other brochures indicated that any improvements the settlers made to the land would not be counted when the prices were fixed.[2] However, when the settlers attempted to acquire their land, the asking price was significantly greater than that, which SP attributed to rising property values because of the laying of the railroad, although many settlers believed it was due to their own improvements such as irrigation, housing, fences, and barns.[8][9] Settlers protested against the railroads, but to no avail. A bill in the United States Congress that would have fixed the price at $2.50/acre failed to pass. The Southern Pacific then filed and won a lawsuit in 1878 against the settlers, amidst allegations of court bias (former California Governor Leland Stanford was also president of SP).[9]

While the issue was still pending in court, the SP decided to change the course of the route, claiming that was its prerogative, despite the Department of the Interior having already granted homestead rights. Those who had been building homes along the previous course were distraught. Settlers argued in court that by not building the line where the federal government had deeded the land, SP forfeited the title. On the other hand, the SP was convinced of its legal ownership of the land and felt it should have the freedom to set whatever prices it deemed fit for its property.[10] Others took the opportunity to move onto the SP’s parcels, anticipating that the courts would rule against the company, thus allowing them to get the land for free.[11] The Supreme Court finally ruled in Schulenberg v. Harriman 21 Wall. 44 (1874) that SP still owned the lands and as such, the SP was justified to reclaim the land without compensation unless the settlers were willing to pay their asking price, now up to $35/acre.[9] Still, the Settler’s League, which was formed in 1878 in opposition to the SP’s Mussel Slough actions,[8] even attempted to appeal directly to President Rutherford B. Hayes during his visit to San Francisco in 1880,[12] presenting him a petition which read,

Through sheer energy and perseverance by the investment of our means … and relying firmly upon the rights we had acquired as American citizens, and upon the pledges of the Southern Pacific Railroad Company [in regard to low land prices], we converted a desert into one of the garden spots of the State.[13]

Besides the 1874 Supreme Court ruling, a critical moment came on December 15, 1879, when Judge Lorenzo Sawyer of the Ninth Circuit Court ruled in Orton, 32 F. 457 (C.C.D. Cal. 1879), that the federal government controlled the railroad land grants, and more importantly, the state could not control ultra vires acts of corporations.[14]

Given the legal system’s affirmation of its position, the SP began to forcibly remove some of the settlers. Their agents would attempt to serve eviction notices, but often would not find anyone at home, as homeowners knew they were coming. In these cases, the agents then tried removing the furniture from the homes, but the Settler’s League would just put the furniture back after the agents’ departure. Finally, it escalated to the point at which the agents would then disassemble the houses, but again, volunteers would just put them back together.[15] The settlers were not above their own brand of justice, either. People who had purchased land from those forced to sell would be harassed by locals, and in one case one farmer who had aligned with the SP had his house burned down.[16] Those supporting the railroads tended to be wealthier than the others, deriding the Settler’s League as “a set of demagogues” who were “very anxious to get something for nothing.”[17]

Although the settlers received the benefit of a section of public opinion, politically and legally every decision was going the way of the railroad. In March 1880, Stanford himself attempted a reconciliation by appearing in Hanford and meeting with the Settler’s League in an attempt to find some sort of compromise.[18]

The Mussel Slough Tragedy
On May 11, 1880, a picnic was being held in Hanford which was to feature a speech by pro-settler former California Supreme Court Justice David S. Terry (who was actually unable to appear),[19] when word reached the picnickers that four “railroad men” (A U.S. Marshal, an SP land appraiser, and two locals) were actively evicting settlers on railroad lands, and a group of about twenty people left to confront them (the historical marker indicates that the two local men were Deputy U.S. Marshals, which was not in fact the case). However, the rumors were only partially true; in addition to serving eviction notices, the group was also purchasing land (and any improvements) from settlers who had refused to pay SP’s asking price.[9] This act was seen as a betrayal of Stanford’s visit a mere two months earlier.[18]

List of involved persons
Marshal’s group

Alonzo W. Poole, U.S. Marshal
William H. Clark, railroad land grader
Walter J. Crow, settler (killed)
Mills Hartt, settler (killed)

Settlers’ group
James N. Patterson, leader of the group
William Braden
B. S. Burr
James Harris (killed)
Edwin Haymaker (died of pneumonia soon after and was considered a victim of the fight)
John E. Henderson (killed)
Daniel Kelly (killed)
Iver Knutson (killed)
Archibald McGregor (killed)
W. L. Morton
Wayman L. Pryor
John D. Pursell[20]

Sequence of events
The parties met at the homestead of Henry D. Brewer three miles (4.8 km) north of Grangeville (which is near Hanford), the marshal’s group having just been at Braden’s house. Later testimony from uninvolved parties indicated that the party of settlers were lightly armed and had every intention of persuading the railroad party to delay their actions until a pending court case could be resolved. However, there was bad blood between Crow and Harris, and Hartt had previously threatened to kill any “sandlappers” (a derisive term for homesteaders, equivalent to the modern day “redneck”[21]), and an argument broke out between them. Harris and Hartt simultaneously opened fire at each other. Crow, a skilled marksman who was armed with a shotgun, singlehandedly killed or wounded most of the settlers’ party.[22] After the initial exchange of gunfire ended, Crow fled the scene, but was shot in the back about 1.5 mi (2.4 km) away by an unknown assailant before he could reach safety.[23][24] Poole and Clark did not participate in the battle and left immediately after the incident, possibly defusing tensions enough to avoid further bloodshed.[25]

Afterwards, seventeen people were indicted by a federal grand jury and five were found guilty of wilfully interfering with a marshal in performance of his duties (Braden, Patterson, Pryor, Purcell, and John J. Doyle, a leader in the Settler’s League). They were convicted in federal court (with Judge Sawyer presiding) and sentenced to eight months in prison and fined $300 each.[20] Their time spent in imprisonment was hardly difficult. Three of the men’s wives were allowed to live with them, and Susan Curtis, daughter of one of the jailers, fell in love with and later married Braden. Upon their release in September 1881, they were greeted by a joyous crowd of 3,000 in Hanford.[26] Such was the anti-railroad sentiment that the five were looked upon as heroes by many across California, and those killed were considered martyrs who had given their lives for a cause.[27]

Nevertheless, the affair brought such a shock that people were sobered. The legal battle had been lost, the railroad had won, and there was not enough public support for changing the policy of granting public lands to railroads. The only concession SP made was to reduce the land price slightly. In the end, most people simply stayed where they were and purchased the land.[9]

The Mussel Slough myth
The Mussel Slough affair was seized upon by newspaper editors as well as a number of popular writers soon after the tragic shootout, as an example of corporate greed and the abuses of freewheeling market capitalism around the start of the 20th century. Muckraking novels such as W. C. Morrow’s Blood-Money (1882) and Charles Cyril Post’s Driven from Sea to Sea; or, Just A’ Campin’ (1884) exaggerate the fault of the railroad for the events as they unfolded in San Joaquin and romanticize the ranchers according to a Jeffersonian agrarian ideal. Ambrose Bierce attempted to lionize Crow, calling him “this bravest of Americans.”[28]

Later novels depicting the affair, such as the philosopher Josiah Royce’s The Feud of Oakfield Creek (1887) and novelist Frank Norris’ The Octopus (1901) are slightly less hagiographic in their portrayals of the Mussel Slough ranchers, but nevertheless give a fairly one-sided, anti-railroad view of the Mussel Slough affair. Richard Orsi’s history of the Southern Pacific, Sunset Limited, includes a chapter outlining some common misconceptions about the Mussel Slough affair which Orsi suggests have been perpetuated through the mythic retellings of Morrow, Post, Royce, and Norris, among others.

The significance of the Mussel Slough myth in the history of California and the Southern Pacific Railroad is evident from a quote by Theodore Roosevelt, who as president focused considerable time and energy in redressing the wrongs and abuses of corporate monopolies throughout the U.S. After reading Norris’ The Octopus, Roosevelt stated he was “inclined to think […] that conditions were worse in California than elsewhere.”[29] These mythic narratives about Mussel Slough helped bolster public anti-railroad sentiments, and encouraged continued rebellion among homesteaders, squatters and poachers against railroad land agents, who “came to accept squatters as an ordinary, if disagreeable, part of the land business”.[30]

Despite the nationwide attention the incident received, the Mussel Slough Tragedy is not remembered much today as well as later gunfights such as the gunfight at the O.K. Corral. Richard Maxwell Brown argues in No Duty to Retreat that the Mussel Slough shootout did not fit the mold of the gunfight/hero myth, which usually ignores such factors as ideology, and social and economic conflict, thus not implanting it in the lore of the American Old West.[31]
Tragedy Oak

Six victims of the shooting were carried to the porch of the Brewer house, which was shaded by a tall oak tree. The tree became famously known as the Tragedy Oak. It blew down in a storm in the early 1990s. A piece of the tree was saved as a memorial and is on display at nearby Pioneer Elementary School in Hanford.[32]


Born on this day:

1817 – Fanny Cerrito, Italian ballerina and choreographer (d. 1909)
Francesca “Fanny” Cerrito (11 May 1817 – 6 May 1909) was an Italian ballet dancer and choreographer. She was a ballerina noted for the brilliance, strength, and vivacity of her dancing. She was also one of few women in the 19th century to be recognized for her talent as a choreographer.

Born in Naples, she studied under Carlo Blasis and the French choreographers Jules Perrot and Arthur Saint-Léon, the latter of whom was her husband from 1845–51. Fanny Cerrito was trained in the ballet school of San Carlo Opera House, later under the supervision of Salvatore Taglioni. Her first stage appearance was in 1832 when she gained recognition almost immediately. In 1836–37 her fame started to spread beyond Italy and she appeared in Vienna to reveal some of her own choreographed works. From 1838–40, she continued to dance with La Scala in Milan, where she gained even more attention. In 1843, Cerrito and Maria Taglioni danced in the same program in Milan; this event caused so much excitement that the city divided itself between the two great rival ballerinas. While in Milan, Fanny began her collaboration with Jules Perrot, during which they choreographed Ondine, ou La naïade (1843) as well as Alma (1842) and Lalla Rookh (1846). Later in 1845, her choreographic talent became recognized after she presented her own ballet, Rosida. For nine seasons, from 1840 to 1848, Cerrito became a very well-respected dancer at Her Majesty’s Theatre, London, where the celebrity chef Alexis Soyer created a molded dessert in her honour that was topped with a miniature figure of the dancer herself, weightlessly poised on a spun sugar zig-zag spiral.[1]





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Shorpy May 11, 2017

New York, 1908. “George Bothner and John Perelli (standing).” Bothner (1867-1954) held the title of world lightweight wresting champion. 5×7 glass negative, Bain News Service.

June 1942. “Inspecting a Cyclone airplane motor at North American Aviation in Long Beach, Calif.” Kodachrome transparency by Alfred Palmer.

“Now I can afford a longer necktie!”
Columbus, Georgia, circa 1949. “Safety Patrol Fund.” A $50 check to Sergeant 97 of the Georgia State Patrol. 4×5 inch acetate negative.

Washington, D.C., 1957. “Postman delivering issues of U.S. News & World Report.” From a series of images showing the production and delivery of that magazine. 35mm negative from the News Photo Archive.

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FYI May 10, 2017

May 10th National Liver and Onions Day!


On this day:

1849 – Astor Place Riot: A riot breaks out at the Astor Opera House in Manhattan, New York City over a dispute between actors Edwin Forrest and William Charles Macready, killing at least 25 and injuring over 120.
The Astor Place Riot occurred on May 10, 1849, at the now-demolished Astor Opera House[1] in Manhattan, New York City and left at least 25 dead and more than 120 injured.[2] It was the deadliest to that date of a number of civic disturbances in New York City which generally pitted immigrants and nativists against each other, or together against the upper classes who controlled the city’s police and the state militia.

The riot marked the first time a state militia had been called out and had shot into a crowd of citizens, and it led to the creation of the first police force armed with deadly weapons,[3] yet its genesis was a dispute between Edwin Forrest, one of the best-known American actors of that time, and William Charles Macready, a similarly notable English actor, which largely revolved around which of them was better than the other at acting the major roles of Shakespeare.

In the first half of the nineteenth century, theatre as entertainment was a mass phenomenon, and theatres were the main gathering places in most towns and cities. As a result, star actors amassed an immensely loyal following, comparable to modern celebrities or sports stars. At the same time, audiences had always treated theaters as places to make their feelings known, not just towards the actors, but towards their fellow theatergoers of different classes or political persuasions, and theatre riots were not a rare occurrence in New York.[4]

In the early- to mid-nineteenth century, the American theatre was dominated by British actors and managers. The rise of Edwin Forrest as the first American star and the fierce partisanship of his supporters was an early sign of a home-grown American entertainment business. The riot had been brewing for eighty or more years, since the Stamp Act riots of 1765, when an entire theatre was torn apart while British actors were performing on stage. British actors touring around America had found themselves the focus of often violent anti-British anger, because of their prominence and the lack of other visiting targets.[5]

The fact that both Forrest and Macready were specialists in Shakespeare can be ascribed to the reputation of Shakespeare in the nineteenth century as the icon of Anglo-Saxon culture. Ralph Waldo Emerson, for instance, wrote in his journal that beings on other planets probably called the Earth “Shakespeare.”[6] Shakespeare’s plays were not just the favorites of the educated: in gold rush California, miners whiled away the harsh winter months by sitting around campfires and acting out Shakespeare’s plays from memory; his words were well known throughout every stratum of society.[7]

The roots of the riot were multifold, but had three main strands:

A dispute between Macready, who had the reputation as the greatest British actor of his generation, and Forrest, the first real American theatrical star. Their friendship became a virulent theatrical rivalry, in part because of the poisonous Anglo-American relations of the 1840s. The question of who was the greater actor became a notorious bone of contention in the British and, particularly, the American media, which filled columns with discussions of their respective merits
A growing sense of cultural alienation from Britain among mainly working-class Americans, along with Irish immigrants; though nativist Americans were hostile to Irish immigrants, both found a common cause against the British.
A class struggle between those groups who largely supported Forrest, and the largely Anglophile upper classes, who supported Macready. The two actors became figureheads for Britain and America, and their rivalry came to encapsulate two opposing views about the future of American culture.

It was ironic that both were famous as Shakespearean actors: in an America that had yet to establish its own theatrical traditions, the way to prove its cultural prowess was to do Shakespeare as well as the British, and even to claim that Shakespeare, had he been alive at the time, would have been, at heart at least, an American.[8]

More on wiki:


Born on this day:

1918 – Diva Diniz Corrêa, Brazilian zoologist (d. 1993)
Diva Diniz Corrêa (10 May 1918 – 28 April 1993) was a Brazilian marine zoologist.

Diva Diniz Corrêa was born in 1918 in Avaré, São Paulo, Brazil, being the younger of three sisters and the only one to attend college.[1]

In 1939, she began her studies in Natural History at the Faculdade de Filosofia, Ciências e Letras of the University of São Paulo. During this time, she worked closely with Ernst Marcus and Eveline Du Bois-Reymond Marcus, becoming good friends with them.[1] After graduating in 1941, she apprenticed with Dr. Ottorino de Fiore di Coprani in the Department of Geology and Paleontology.[1]

From 1943 to 1945, she taught natural history in a country school near São Paulo, when she was then offered a professorship at the University of São Paulo and started to teach courses in Zoology and Physiology.[1] At this time she made several trips to the coast to collect specimens for her classes and her research.[1]

In 1948, Diva completed her doctoral thesis on the embryology of Bugulina flabellata, a bryozoan, and received the highest grade possible by the committee, which was directed by Ernst Marcus and Paul Sawaya.[1] In 1952, she received a fellowship from the University of Padova and went to the Stazione Zoologica in Naples, Italy, where she studied neurophysiology and locomotion of nemerteans, leading to many papers. In 1957, she received another fellowship, this time from the John Simon Guggenheim Memorial Foundation,[2] to travel to the California Pacific Marine Station of the University of California, which led to the publication of a monograph on the nemerteans of California and Oregon coasts.[1]

From October 1958 to February 1959, Diva had an internship at the Institute of Marine Science, University of Miami and visited the U. S. Virgin Islands.[1] During her time in the United States, Diva developed a taste for Coca-Cola and named a nemertean as Zygonemertes cocacola.[3] In 1962, she had an internship at the Marine Biological Laboratory in Curaçao from a grant given by the Dutch government, resulting in a survey of the nemerteans from the region and the description of a turbellarian.[1][4]

Later in 1962, Diva returned to the University of São Paulo and was a professor of the Department of Zoology until her retirement in 1988. She occupied the chair that became vacant by the retirement of Prof. Ernst Marcus.[5] From 1963 to 1977, she was the first female director of the Department of Zoology.[6]

Selected Works
Corrêa, D. D. (1947). “A primeira Dolichoplana (Tricladida Terricola) do Brasil”. Boletim da Faculdade de Filosofia, Ciências e Letras da Universidade de São Paulo. 12: 57–82.
Corrêa, D. D. (1953). “Sobre a neurofisiologia locomotora de hoplonemertinos e a taxonomia de Ototyphlonemertes”. Anais da Academia Brasileira de Ciências. 25: 545–555.
Corrêa, D. D. (1953). “Sobre a locomoção e a neurofisiologia de nemertinos”. Boletim da Faculdade de Filosofia, Ciências e Letras da Universidade de São Paulo. 18: 129–147.
Corrêa, D. D. (1954). “Nemertinos do litoral Brasileiro”. Boletim da Faculdade de Filosofia, Ciências e Letras da Universidade de São Paulo. 19: 1–122.
Corrêa, D. D. (1956). “Estudo de nemertinos Mediterraneos (Palaeo e Heteronemertini)”. Anais da Academia Brasileira de Ciências. 28: 195–214.
Corrêa, D. D. (1961). “Nemerteans from Florida and Virgin Islands”. B Mar Sci Gulf Carib. 11: 1–44.
Corrêa, D. D. (1963). “Nemerteans from Curaçao”. Study of the Fauna of Curaçao and other Caribbean Islands. 17: 41–56.
Corrêa, D. D. (1964). “Nemerteans from California and Oregon”. Proc Calif Acad Sci. 31: 515–558.

Taxa named in her honor
Several taxa were named after Diva Diniz Correa, such as the turbellaria genus Dinizia, the nemertean genera Divanella and Correanemertes, and the gastropod species Piseinotecus divae.[citation needed]

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Rose Albert – Athabascan Painter and Artist – Athabascan Woman Blog May 10, 2017

I have admired Rose Albert’s painting for years. Rose is Koyukon Athabascan originally from Ruby, Alaska. She is a talented artist and also a former Iditarod sled dog musher. She is owner of Nowitn…