1000 – Battle of Svolder, Viking Age.
The Battle of Svolder (Svold, Swold)[1] was a naval battle fought in September 999 or 1000 in the western Baltic Sea between King Olaf Tryggvason of Norway and an alliance of his enemies. The backdrop of the battle was the unification of Norway into a single state, long-standing Danish efforts to gain control of the country, and the spread of Christianity in Scandinavia.
King Olaf was sailing home after an expedition to Wendland (Pomerania), when he was ambushed by an alliance of Svein Forkbeard, King of Denmark, Olof Skötkonung (also known as Olaf Eiríksson), King of Sweden, and Eirik Hákonarson, Jarl of Lade. Olaf had only 11 warships in the battle against a fleet of at least 70.[2] His ships were captured one by one, last of all the Ormen Lange, which Jarl Eirik captured as Olaf threw himself into the sea. After the battle, Norway was ruled by the Jarls of Lade as a fief of Denmark and Sweden.
The exact location of the battle is disputed, and depends on which group of sources is preferred: it is only Icelandic sources that place it near a place called Svolder, while Adam of Bremen places it in Øresund.
The most detailed sources on the battle, the kings’ sagas, were written approximately two centuries after it took place. Historically unreliable, they offer an extended literary account describing the battle and the events leading up to it in vivid detail. The sagas ascribe the causes of the battle to Olaf Tryggvason’s ill-fated marriage proposal to Sigrid the Haughty and his problematic marriage to Thyri, sister of Svein Forkbeard. As the battle starts Olaf is shown dismissing the Danish and Swedish fleets with ethnic insults and bravado while admitting that Eirik Hákonarson and his men are dangerous because “they are Norwegians like us”. The best known episode in the battle is the breaking of Einarr Þambarskelfir’s bow, which heralds Olaf’s defeat.
In later centuries, the saga descriptions of the battle, especially that in Snorri Sturluson’s Heimskringla, have inspired a number of ballads and other works of literature.
1868 – Mary Hunter Austin, American author, poet, and critic (d. 1934)
Mary Hunter Austin (September 9, 1868 – August 13, 1934) was an American writer. One of the early nature writers of the American Southwest, her classic The Land of Little Rain (1903) describes the fauna, flora and people – as well as evoking the mysticism and spirituality – of the region between the High Sierra and the Mojave Desert of southern California.
Biography
Mary Hunter Austin was born on September 9, 1868 in Carlinville, Illinois (the fourth of six children) to George and Susannah (Graham) Hunter. She graduated from Blackburn College in 1888. Her family moved to California in the same year and established a homestead in the San Joaquin Valley. Mary married Stafford Wallace Austin on May 18, 1891 in Bakersfield, California. He was from Hawaii and a graduate of the University of California, Berkeley.
For 17 years Austin made a special study of Indian life in the Mojave Desert, and her publications set forth the intimate knowledge she thus acquired. She was a prolific novelist, poet, critic, and playwright, as well as an early feminist and defender of Native American and Spanish-American rights. She is best known for her tribute to the deserts of California, The Land of Little Rain (1903). Her play, The Arrow Maker, dealing with Indian life, was produced at the New Theatre, (New York) in 1911, the same year she published a rhapsodic tribute to her acquaintance H.G. Wells as a producer of “informing, vitalizing, indispensable books” in the American Magazine.
photo of Mary Hunter Austin’s home in Independence, CA
Mary Hunter Austin wrote about her Independence, CA home in The Land of Little Rain.
Austin and her husband were involved in the local California Water Wars, in which the water of Owens Valley was eventually drained to supply Los Angeles.[1] When their battle was lost, he moved to Death Valley, California.
She moved to the art colony at Carmel-by-the-Sea, California about 1907.[2][3] There Austin was part of the cultural circle that included: Jack London, Ambrose Bierce, Harry Leon Wilson, George Sterling, Nora May French, Arnold Genthe, James Hopper, Alice MacGowan, Gelett Burgess, Sinclair Lewis, and Xavier Martinez. She was one of the founders of the local Forest Theater, where in 1913 she premiered and directed her three-act play Fire. Austin was reportedly involved in all aspects of Carmel’s Bohemian society, which included contributing an essay to the village magazine in 1909 as well as unencumbered sexual and “homoerotic attachments.”[4][5] In July 1914 she joined William Merritt Chase, the distinguished New York painter who was teaching his last summer class in Carmel, at several society “teas” and privately in his studio, where he finished her portrait. The well-known artist Jennie V. Cannon reported that he began the painting as a class demonstration after Austin claimed that two of her portraits, which were executed by famous artists in the Latin Quarter of Paris, had already been accepted to the Salon.[2] Apparently, Chase was not deterred by Austin’s “pushiness and claims to extra-sensory perceptions,” but was more interested in her appointment as director of East Coast publicity for San Francisco’s Panama-Pacific International Exposition.[2][6] On July 25, 1914 Chase attended her Indian melodrama in the Forest Theater, The Arrow Maker, and confessed to Cannon that he found the play dreary. Apparently, Dr. Daniel MacDougal, head of the local Carnegie Institute, paid for most of her production costs, because of his not-so-secret love affair with the writer.[2][5][6] When one of Chase’s students, Helena Wood Smith, was brutally murdered by her Japanese lover, Austin joined the mob who disparaged local authorities for their incompetence.[2] After 1914 her visits to Carmel were relatively brief.
After visiting Santa Fe in 1918, Austin helped establish The Santa Fe Little Theatre (still operating today as The Santa Fe Playhouse[7])[8] and directed the group’s first production held February 14, 1919 at the art museum’s St. Francis Auditorium.[9] Austin was also active in preserving the local culture of New Mexico, establishing the Spanish Colonial Arts Society in 1925 with artist Frank Applegate.[10]
In 1929, while living in New Mexico, Austin co-authored a book with photographer Ansel Adams. Published a year later, the book, Taos Pueblo, was printed in a limited edition of only 108 copies. It is now quite rare because it included actual photographs made by Adams rather than reproductions.[11]
Austin died August 13, 1934 in Santa Fe, New Mexico. Mount Mary Austin, in the Sierra Nevada, was named in her honor.[12] It is located 8.5 miles west of her longtime home in Independence, California. A biography was published in 1939.[13]
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